APA 6th Edition
Lujanović, N. (2012). Osobna imena i upisivanje prokletstva u zbirci priča “Inšallah Madona, Inšallah” Miljenka Jergovića. Zbornik radova Filozofskog fakulteta u Splitu, (5), 211-220. Retrieved from https://zbornik.ffst.unist.hr/?p=1306&lang=en
MLA 8th Edition
Lujanović, Nebojša. “Osobna imena i upisivanje prokletstva u zbirci priča “Inšallah Madona, Inšallah” Miljenka Jergovića.” Zbornik radova Filozofskog fakulteta u Splitu, vol. , no. 5, 2012, pp. 211-220. https://zbornik.ffst.unist.hr/?p=1306&lang=en. Accessed &pmp202441;19
Chicago 17th Edition
Lujanović, Nebojša. “Osobna imena i upisivanje prokletstva u zbirci priča “Inšallah Madona, Inšallah” Miljenka Jergovića.” Zbornik radova Filozofskog fakulteta u Splitu , no. 5 (2012): 211-220. https://zbornik.ffst.unist.hr/?p=1306&lang=en
Harvard
TLujanović, N. (2012). ‘Osobna imena i upisivanje prokletstva u zbirci priča “Inšallah Madona, Inšallah” Miljenka Jergovića’, Zbornik radova Filozofskog fakulteta u Splitu, (5), pp. 211-220. Available at: https://zbornik.ffst.unist.hr/?p=1306&lang=en (Accessed &pmp202441;19)
Vancouver
Lujanović N. Osobna imena i upisivanje prokletstva u zbirci priča “Inšallah Madona, Inšallah” Miljenka Jergovića. Zbornik radova Filozofskog fakulteta u Splitu [Internet]. 2012 [cited &pmp202441;2024];(6-7);(5):211-220. Available from: https://zbornik.ffst.unist.hr/?p=1306&lang=en
IEEE
N. Lujanović, “Osobna imena i upisivanje prokletstva u zbirci priča “Inšallah Madona, Inšallah” Miljenka Jergovića”, Zbornik radova Filozofskog fakulteta u Splitu, vol., no. 5, pp. 211-220, 2012. [Online]. Available: https://zbornik.ffst.unist.hr/?p=1306&lang=en. Accessed: &pmp202441;19]
Abstracts:
Starting with basic postulates of semiotics, interesting possible interpretations of personal names in Miljenko Jergovic’s stories are revealed to us. Inside a mode of discourse presented as constant conflict and change in the representation of meaning, these names are to understood as stable carriers of meaning in which the important motif of the curse occurs. The curse appears as the only constant in Jergovic’s chaotic world of hybrid identities and insolvable conflict.
