APA 6th Edition
Buljubašić, E. (2012). Popeljuha Zavaljuha: stilistička interpretacija narodne bajke. Zbornik radova Filozofskog fakulteta u Splitu, (5), 129-145. Retrieved from https://zbornik.ffst.unist.hr/?p=1262&lang=en
MLA 8th Edition
Buljubašić, Eni. “Popeljuha Zavaljuha: stilistička interpretacija narodne bajke.” Zbornik radova Filozofskog fakulteta u Splitu, vol. , no. 5, 2012, pp. 129-145. https://zbornik.ffst.unist.hr/?p=1262&lang=en. Accessed &pmp202402;20
Chicago 17th Edition
Buljubašić, Eni. “Popeljuha Zavaljuha: stilistička interpretacija narodne bajke.” Zbornik radova Filozofskog fakulteta u Splitu , no. 5 (2012): 129-145. https://zbornik.ffst.unist.hr/?p=1262&lang=en
Harvard
Buljubašić, E. (2012). ‘Popeljuha Zavaljuha: stilistička interpretacija narodne bajke’, Zbornik radova Filozofskog fakulteta u Splitu, (5), pp. 129-145. Available at: https://zbornik.ffst.unist.hr/?p=1262&lang=en (Accessed &pmp202402;20)
Vancouver
Buljubašić E. Popeljuha Zavaljuha: stilistička interpretacija narodne bajke. Zbornik radova Filozofskog fakulteta u Splitu [Internet]. 2012 [cited &pmp202402;2024];(6-7);(5):129-145. Available from: https://zbornik.ffst.unist.hr/?p=1262&lang=en
IEEE
E. Buljubašić, “Popeljuha Zavaljuha: stilistička interpretacija narodne bajke”, Zbornik radova Filozofskog fakulteta u Splitu, vol., no. 5, pp. 129-145, 2012. [Online]. Available: https://zbornik.ffst.unist.hr/?p=1262&lang=en. Accessed: &pmp202402;20]
Abstracts:
The paper gives a stylistic interpretation of a “local Cinderella.” This northern Čakavian oral fairytale was first documented in 1876. A stylistic analysis of the text of an oral fairytale requires a complex methodology: factors to be considered are: the nature of an oral fairytale genre, the local idiom, a contemporary reader’s diachronic
distance to the text, the context of artistic creation, implicit understanding of what stylistic interpretation is, but also the need to recognize contemporary interpretative positions and interdisciplinarity implicated. In relation to the definition of the female
subject adopted from feminist criticism, the author performs a stylistic analysis of the fairytale. In the process, the relationship between the limits of the genre and the methodology used is explored.
orcid.org/0000-0002-9992-9818 ; Faculty of Humanities and Social Sciences, University of Split, Split, Croatia 
